Day 11 - Legend of Hell House (1973)
Platform:
Borrowed disc from the Clermont County Public Library.
Quote:
“If it had ended, we wouldn’t be here.”
Synopsis:
The Belasco mansion was the site of some of the weirdest, wildest, and most depraved events while its master was alive. Now that he’s dead, it’s a house of nightmares. One team of psychic investigators braved the mansion, and only one came out alive and sane, mostly. Now Dr. Barrett and his wife are forming a new team made up of two psychics, Florence Tanner and Ben Fischer (played by the great Roddy McDowell), the only survivor of the previous expedition. With a machine designed by Dr. Barrett that is meant to dissipate spiritual energy, they will pit science against the supernatural and try to solve the mystery of Hell House.
Review:
Based on the Richard Matheson novel, titled simply Hell House, this is a fairly faithful adaptation of the novel. Obviously, there are quite a few changes, mostly edits done to streamline the story and take out anything that 70’s audiences wouldn’t have approved of in a mainstream film (such as the details of what kinds of things Belasco did to and with his guests, and the sexually repressed awakening of Mrs. Barrett; all of which are there, just not in the detail you get as the characters explore the house).
Roddy McDowell delivers a great performance as Ben Fischer, but I do wish that they had built his character arc a little closer to how it plays in the book. In the novel, Ben is so traumatized by the events of his first trip into the house that he has completely shut himself off psychically so that he can’t be reached by the spirits that haunt the house. This is still the case in the film, but in the book, he refuses to get involved in any way with the investigation and just shows up ready to collect his check at the end. When things start going down though and people start really getting hurt, he has a hero moment where he finally opens himself up. He fails at first, but eventually, he comes into his own and makes a final heroic stand to face down Belasco. In the film version, he seems less like a reluctant hero who eventually answers the call, and more like a negative-nancy that just suddenly understands the mystery and solves it Scooby-Doo style. He’s a fun character throughout the film though, and McDowell seems to play it with relish.
I have a sweet spot for anything that mixes science and the supernatural, Ghostbusters being the pinnacle of this fusion, so the concept of using the machine to disrupt the psychic energy was very cool. They also had some pretty decent special effects that hold up well enough today. Nothing overly outlandish and fairly simple effects like the ectoplasmic tendrils that emanate from Florence Tanner during one of the investigation scenes, make it a piece you can return to repeatedly. While you will most definitely be aware of the fact that you’re watching a 70s’ piece, you won’t be laughing at how ridiculous the effects are (you might be laughing at other elements, I go back to the weird Scooby-Doo ending, but not at the effects).
This is a classic in my book, and I definitely recommend it. And if you like this, check out Matheson’s novel as you get a lot more details on the characters, the haunting events and history, and the investigation scenes as they try to figure out the mystery of the Belasco house.
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